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Garrison Snell, Founder & CEO of Gyrosity Projects, joins this episode to unpack the opportunities and challenges that independent music marketers face in the modern industry landscape. We discuss the ongoing consolidation of marketing agencies and consulting firms both inside and outside of music; why now is not the best time to start a new music-marketing agency, and where the few remaining gaps in the market might be found; how record labels are now competing with music-marketing agencies for work, as labels move towards a more service- rather than ownership-oriented business model; the impact of automation on music marketers' jobs; how the gig economy transforms the way music marketing is done, often for the worse; and, importantly, why artists should care about all this in the first place. At the end, we argue why Spotify's acquisition of SoundBetter and Netflix's new reality-TV music competition "Rhythm + Flow" are both overrated.
Prolific drummer, electronic artist, feminist activist and public speaker Kiran Gandhi (a.k.a. Madame Gandhi) joins this episode to exchange perspectives not just on how technological change has transformed artists' careers, but also on what artists themselves can do about it. We discuss, among other things, the potential reasons why artists are left out of the majority of conversations about the future of music-tech; the importance of artist-residency programs within music and tech startups (of which Kiran was previously a participant); the myth of the "gut-versus-data" binary; and how international consumption trends are changing the type of visual content artists need to create. At the end, we discuss the surge in new lyric-display features on social-media platforms, and how artists rely heavily on tech platforms to determine the constraints of their creativity — perhaps to a fault.